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    人教版选择性必修第三册Unit1 阅读课-核心词汇语境讲解课件

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    人教版 (2019)选择性必修 第三册Unit 1 Art图片ppt课件

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    这是一份人教版 (2019)选择性必修 第三册Unit 1 Art图片ppt课件,共14页。PPT课件主要包含了Unit 1 ART, 等内容,欢迎下载使用。
    The Middle Ages (frm the5th t the 15th century) During the Middle Ages, the purpse f Western art was t teach peple abut Christianity(基督精神). Thus, artists were nt interested in painting realistic scenes. Their wrks were ften primitive(粗糙的) and tw-dimensinal, and the main characters were ften made much larger than everyne else t shw their imprtance. This began t change in the 13th century with Gitt di Bndne(乔托·迪·邦多纳:意大利文艺复兴初期的画家和雕塑家) (1267-1337). While his paintings still had religius themes, they shwed real peple in a real envirnment. In particular, his paintings are set apart frm ther paintings by their realistic human faces and deep emtinal impact(强烈的情感冲击).
    Reading and Thinking
    Gitt di Bndne(乔托·迪·邦多纳:意大利文艺复兴初期的画家和雕塑家
    2. In particular 尤其;特别particular adj.特别的,特定的; particularly adv. 尤其地2) be particular abut 对…挑剔
    In particular, his paintings are set apart frm ther paintings by their realistic human faces and deep emtinal impact.
    3. be set apart frm 使…与众不同
    The Renaissance (frm the14th t the 17th century) New ideas and values gradually replaced ld nes frm the Middle Ages中世纪. As a result, painters cncentrated less n religius themes. They began t adpt a mre humanistic attitude t life. An imprtant breakthrugh during this perid was the use f perspective (透视(画)法)by Masacci马萨乔 (1401-1428). Influential painters such as Lenard da Vinci达芬奇(1452-1519, Michelangel(1475-1564), and Raphael拉斐尔 (1483-1520)built upn Gitt and Masacci's innvatins t prduce sme f the greatest art that Eurpe had ever seen.
    4. cncentrate n 专注于=
    fcus n 集中于
    5. Influential
    adj. 有很大影响力的
    Mre t learninfluence v./n. 影响have an influence n 对…有影响have an effect n 对…有影响
    In subject(题材) matter, the emphasis increasingly shifted frm religius themes t peple and the wrld arund us. Kings, nbles, and peple f high rank wanted t purchase accurate pictures f themselves and the peple they lved. Others wanted paintings shwing imprtant histrical events r stries frm mythlgy神话. Finally, mst clients wanted paintings that were beautiful and interesting t lk at.
    6. shift frm A t B … 从A换到B
    翻译:他站在那里左右脚换来换去。__________________________________________________________________
    He shifted frm ft t ft.
    Impressinism (late 19tht early 20th century) The develpment f Western art slwed until the inventin f phtgraphy in the mid-19th century. After that, paintings were n lnger needed t preserve what peple and the wrld lked like. Hence, painters had t find a new way f lking at their art. Frm this, Impressin is emerged in France. The name f this new mvement came frm the painting by Claude Mnet莫奈 (1840-1926) called Impressin, Sunrise. In this wrk, Mnet's aim was t cnvey the light and mvement in the scene the subjective impressin the scene gave him-but nt a detailed recrd f the scene itself.
    莫奈想传达场景中的光线和运动——场景给他的主观印象——而不是场景本身的详细记录。
    8. cnvey
    v. 表达;传递;传送
    Mre t learncnvey sth. t sb. 向某人传递某物 cnvey sth./sb. t spl. 把某物某人送到某地eg.Clurs like red cnvey a sense f energy and strength.
    While many Impressinists painted scenes f nature r daily life, thers, such as Renir (1841-1919), fcused n peple. Unlike the cld, black-and-white phtgraphs f that time perid, Renir's paintings are full f light, shadw, clur, and life. He sught t shw nt just the uter image f his subjects(主题人物), but their inner warmth and humanity as well.
    9. seek ( sught-sught) v.寻找 seek t 追求;力图

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