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      [精] 高一英语月考卷(上海专用,沪教版必修二Units 3~4 必修三 Units 1~3)-2024-2025学年高中下学期第三次月考

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      高一英语月考卷(上海专用,沪教版必修二Units 3~4 必修三 Units 1~3)-2024-2025学年高中下学期第三次月考

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      这是一份高一英语月考卷(上海专用,沪教版必修二Units 3~4 必修三 Units 1~3)-2024-2025学年高中下学期第三次月考,文件包含高一英语月考卷全解全析沪教版docx、高一英语月考卷考试版测试范围必修二Units34必修三Units13沪教版docx、高一英语月考卷参考答案沪教版docx、高一英语月考卷答题卡沪教版pdf等4份试卷配套教学资源,其中试卷共34页, 欢迎下载使用。
      英语
      (考试时间:90 分钟 试卷满分:105 分)
      注意事项:
      1.答卷前,考生务必将自己的姓名、准考证号填写在答题卡上。
      2.回答选择题时,选出每小题答案后,用 2B 铅笔把答题卡上对应题目的答案标号涂黑。如需改动,
      用橡皮擦干净后,再选涂其他答案标号。回答非选择题时,将答案写在答题卡上。写在本试卷上无效。
      3.测试范围:必修二 Units 3~4+必修三 Units 1~3(上教版)
      4.难度系数:0.65。
      5.考试结束后,将本试卷和答题卡一并交回。
      I.Grammar and Vcabulary (每题 1 分;共 20 分)
      Sectin A
      Directins: After reading the passage belw, fill in the blanks t make the passage cherent and grammatically
      crrect. Fr the blanks with a given wrd, fill in each blank with the prper frm f the given wrd; fr the ther
      blanks, use ne wrd that best fits each blank.
      The Fascinating Culture f the Mia Peple
      The Mia ethnicity f China has a lng histry, rich culture, and an ancient flk religin. 1
      (decrate) with beautiful traditinal clthes, they live in uniquely designed architecture. Thrughut histry, the
      Mia peple were cnstantly migrating, always n the mve. In mre mdern times, part f the Mia peple
      gradually settled dwn in sutheast Asian cuntries. Tday, the Mia peple in China 2 (cncentrate) in
      eight prvinces, autnmus regins, and cities in suthwest and suth-central China, 3 Guizhu
      Prvince has the largest ppulatin.
      The Mia peple have lived the lush vegetatin f the muntains and river fr generatins. The Mialing
      Muntains lcated in Guizhu Prvince are the watershed (分水岭) between the Pearl River and the Yangtze River.
      Kaili City, the capital f Qiandngnan, is knwn as the Pearl f Mialing Muntains. Just 10 kilmeters frm the
      city center, the 4 (wind) crystal-clear Bala River runs thrugh the valley by the city. On the cliffs f the
      peaks n either side f the river 5 (sit) a cluster f Mia villages, scattered like pearls.
      The peple wh live in the ancient villages are sincere, kind, hspitable, and hnest. 6 a turist ever
      1 / 10
      get lst, there were n need t wrry. All that needs t d is just call ut in a lud vice utside any curtyard, “Is
      anyne hme? I’m lst.” A wden windw wuld pen instantly and an elderly persn wuld stick the head ut,
      describing 7 the turist shuld head in simple, basic Putnghua.
      The fantastically clred rice terraces (梯田) can be seen at the edge f the village path. The ripe rice is bent
      ver 8 they were expressing gratefulness t the earth fr giving it life. After the harvest is dne, rice is
      neatly tied-up and arranged, waiting 9 (handle) better. Self-sufficiency in living ff the land is a way f
      life that Mia families have handed dwn t their descendants fr generatins, and tday the Mia peple still
      maintain their traditinal way f life and wrk 10 the gazing crwds f turists wh pass thrugh
      their villages.
      Sectin B
      Directins: Fill in each blank with a prper wrd chsen frm the bx. Each wrd can be used nly nce. Nte
      that there is ne wrd mre than yu need.
      A.veremphasized B.diverse C. prmting D.resurces E. critical
      F. nrmalizatin G. embrace H. shaping I. affrdable J. decrated K. questining
      Csmetic surgery has becme increasingly ppular in mdern sciety, ffering individuals the pprtunity t
      enhance their physical appearance thrugh varius prcedures. Hwever, peple’s attitudes twards csmetic
      surgery are 11 and cmplex, reflecting a range f beliefs and values.
      One cmmn attitude twards csmetic surgery is the acceptance and 12 f it. With
      advancements in medical technlgy and the rise f scial media influencers 13 beauty standards,
      mre peple view csmetic surgery as a valid means f self-imprvement. Fr sme, underging plastic surgery is
      similar t getting a haircut r ging t the gym — a persnal chice t enhance ne’s cnfidence and self-esteem.
      On the ther hand, there is a segment f sciety that hlds a mre 14 view f csmetic
      surgery. Sme individuals believe that altering ne’s appearance thrugh surgery perpetuates unrealistic beauty
      standards and 15 physical appearance. They argue that true beauty cmes frm within and that
      sciety shuld fcus n advcating self-acceptance and bdy psitivity.
      Additinally, there is a subset f peple wh view csmetic surgery as a luxury 16 nly t
      the wealthy and privileged. Sme argue that 17 shuld be allcated twards mre essential
      healthcare needs rather than csmetic enhancements.
      2 / 10
      Furthermre, cultural and religius beliefs play a significant rle in 18 attitudes twards
      csmetic surgery. In sme cultures, altering ne’s appearance thrugh surgery may be seen as tab r challenge t
      traditinal values.
      Overall, peple’s attitudes twards csmetic surgery are influenced by a variety f factrs including scietal
      nrms, persnal values, cultural beliefs, and ecnmic cnsideratins. While sme 19 csmetic
      surgery as a tl fr self-imprvement and enhancing cnfidence, thers view it with skepticism, 20
      its impact n beauty standards and scietal pririties. Ultimately, the chice t underg csmetic surgery is a
      persnal decisin that reflects individual attitudes and values twards beauty and self-image in tday’s sciety.
      II.Reading Cmprehensin (共 45 分。 21-35 每题 1 分;36-50 每题 2 分)
      Sectin A
      Directins: Fr each blank in the fllwing passage there are fur wrds r phrases marked A. B.C and D.
      Fill in each blank with the wrd r phrase that best fits the cntext
      In Dad’s Army, a British sitcm(情景喜剧) abut a hme-defense Frce, Sergeant (中士) Wilsn wuld
      ften cast dubt n his cmmander’s varius rders with the phrase “D yu think that’s wise, sir?” His dubt,
      althugh ften ignred, was usually 21 .
      Many emplyees must be tempted t imitate Sgt. Wilsn when they see their bsses headed dwn the wrng
      track. But cautin ften leads wrkers t keep silent fr fear f appearing flish and ffensive and 22
      being at high risk f lsing their jbs.
      A culture f silence can be dangerus, argues a new bk The Fearless Organizatin, by Amy Edmndsn, a
      prfessr at Harvard Business Schl. Sme f her cases are frm the 23 industry, where staff felt t
      pwerless t make any changes due t their ranks. One was its deadliest accident: a crash between tw Being-747s
      in the Canary Islands ccurred in 1977 when a c-pilt felt unable t 24 his captain int changing the
      decisin t take ff. Anther case was that f the Clumbia space shuttle in 2003; an engineer wh may have
      diagnsed damage t the shuttle’s wing befre the flight felt unable t speak as he was “t 25 ” at
      NASA.
      In a crprate culture based n 26 and bedience, it may appear that targets are being achieved. But
      in the lng run the effect is likely t be cunterprductive (适 得 其 反 的 ). Studies shw that fear 27
      learning. And when faced with a prblem, scared wrkers find ways f 28 it r getting arund it with
      3 / 10
      inefficient practices.
      The slutin is t create an atmsphere f “psychlgical safety” whereby wrkers can speak their minds. It
      des nt mean that wrkers, r their ideas, are 29 criticism, r that they shuld cmplain cntinuusly.
      In a sense, this methd is the 30 f Tyta’s “lean manufacturing” prcess, which allws any wrker
      wh spts a prblem t stp the prductin line.
      Pixar, the prductin firm, created what it called a “Braintrust” t give 31 t film directrs. The
      rules were that advice shuld be cnstructive and abut the idea, nt the persn, and that filmmakers shuld nt be
      32 in respnse.
      And psychlgical safety is nt abut whistleblwing (检举). Indeed, if an emplyee feels the need t act as a
      whistleblwer by speaking t external 33 , it suggests emplyers have nt created an envirnment
      within the firm where criticism can be 34 . Nr is such a culture nly abut safety r aviding mistakes.
      As mundane (单调的) tasks are autmated, and wrkers rely n cmputers fr data analysis, the added value f
      humans will stem frm their 35 . But as Ms. Edmndsn’s bk demnstrates, it is hard t be either
      cnstructive r creative if yu are nt cnfident abut speaking ut.
      21.A.justifiable B.pintless C.inevitable D.ridiculus
      22.A.n the whle B.in cnclusin C.as a result D.n the cntrary
      23.A.airline B.manufacturing C.service D.advertising
      24.A.weigh B.reasn C.applaud D.channel
      25.A.ffensive B.ambitius C.aggressive D.humble
      26.A.imitatin B.fear C.efficiency D.cmpetitin
      27.A.mtivates B.facilitates C.maintains D.prevents
      28.A.spiling B.plishing C.masking D.expliting
      29.A.subject t B.immune frm C.cncerned with D.dependent n
      30.A.equivalent B.bject C.argument D.criticism
      31.A.pririty B.mtivatin C.access D.feedback
      32.A.ptimistic B.bjective C.defensive D.passive
      33.A.authrities B.elements C.netwrks D.whistleblwers
      34.A.rejected B.eliminated C.viced D.questined
      35.A.cmpetitiveness B.inventiveness
      C.carefulness D.selflessness
      4 / 10
      Sectin B
      Directins: Read the fllwing three passages. Each passage is fllwed by several questins r unfinished
      statements. Fr each f them there are fur chices marked A, B, C and D. Chse the ne that fits best accrding
      t the infrmatin given in the passage yu have just read.
      (A)
      Delilah was brn in Lndn, the capital city f England in 1968. When he was twelve years ld, he went t
      Paris with an uncle. There, he finished his studies in marketing. After wrking as a casting directr fr nine years,
      Delilah gt a jb at Rue Dieulafy. It is a ppular place in Paris and many Parisian fashin designers like t g
      there.
      While wrking there and watching the custmers, Delilah came up with the idea f making clthes fr the
      Eurpean market. He wanted t give new life t the clthes that were sld in Africa. This idea started t becme
      real. The England designer pened his first shwrm. There, he began t sell his wn brand f prducts. If yu
      lk carefully at the clthes in his shwrm, yu can see hw special his design prcess is. He takes the clthes
      that cme t Africa frm Eurpe and the US thrugh charities. Then he gives them a new lk and sells them in
      France.
      Every year, a large amunt f clthes are sent frm Eurpe and the US t Africa. Just Italy sends mre than
      150 tnnes. The secnd-hand clthing market in Africa started because peple wanted t help prer cuntries. But
      it has tw prblems. First, many clthes can’t be used again. These clthes that n ne buys make mre waste.
      Secnd, since the late 1980s, t many secnd-hand clthes have cme int the African market. This has made the
      African clth industry face a big crisis and it is still having a hard time getting better.
      Delilah ges t Africa several times a year t buy secnd-hand clthes. In fact, 95 percent f the clthes he
      makes cme frm the markets in Lndn. “We dn’t want t teach peple with fashin. Instead, we want t shw
      them what they can d with what they have. Give me the clthes and I’ll shw yu hw t wear them withut
      having t buy new nes,” he said.
      The African designer’s wrds, which he said in an interview with the British bradcaster BBC, can shw his
      idea.
      36.What d yu learn abut Delilah frm paragraph 1?
      A.He helped his uncle at Rue Dieulafy. B.He wrked at a nice place in Paris.
      C.He studied marketing fr nine years. D.He became a casting directr in Lndn.
      37.What is the idea behind Delilah’s clthing brand?
      5 / 10
      A.The use f different clthes. B.The jbs f fashin designers.
      C.The imprtance f recycling. D.The value f gd quality.
      38.What can yu infer abut the secnd-hand clthes in Africa?
      A.They are a gd way t help prer cuntries.
      B.They have made the African industry grw fast.
      C.They have made clthes envirnmentally friendly.
      D.They have dne n gd t the African ecnmy.
      39.What is the main aim f this text?
      A.T tell the stry f an excellent designer. B.T encurage mre designers t be creative.
      C.T analyze the result f secnd-hand clthes. D.T help a designer’s fashin business grw.
      (B)
      Ppular Destinatins Bsted by Films, TV Dramas
      Nwadays, mviegers are n lnger cntent with merely watching the shw n screen, and eager t step int
      the scenes and experience the daily lives f the characters. Over the past year, several films and TV dramas have
      put their shting lcatins int the public sptlight. Let’s take a lk.
      1. Dali, Yunnan
      With the premiere f the TV drama Meet Yurself earlier last year, Dali emerged as a highly sught-after
      turism destinatin. The picturesque scenery and relaxing pace f life depicted in the drama prved t be a cmfrt
      fr many, leading t a turism bm in Dali during the Spring Festival hlidays.
      2. Jiangmen, Guangdng
      Thanks t the success f the hit shw The Knckut, Jiangmen in Guangdng prvince sared as a prminent
      turism destinatin last year, where the drama was filmed. As a prminent hmetwn fr many verseas Chinese,
      the city basts histrical cultural street scenes, extic Suth Asian-style architecture, and diverse snacks, attracting
      a lt f turists and TV fans.
      3. Taiyuan Ancient Cunty, Shanxi
      Full River Red, the blckbuster during last year’s Spring Festival, has set the Taiyuan Ancient Cunty in
      Shanxi n fire with excitement. Filmed within a residential cmpund made up f five enclsed curtyards in an
      ancient twn relic site in Jinyuan district, Taiyuan city, Shanxi prvince, the mvie captures the essence f the
      cuntry’s winding alleyways and distinctive ancient curtyards, leaving a lasting impressin n the audience.
      6 / 10
      40.What makes Dali attractive accrding t the passage?
      A.The beautiful landscape. B.The ancient alleyways.
      C.The residential cmpund. D.The fast-paced lifestyle.
      41.Hw did the mvie Full River Red influence Taiyuan?
      A.It led t a decline in Taiyuan turism.
      B.It shwed the extic style f Taiyuan architecture.
      C.It highlighted the relaxing pace f life in Taiyuan.
      D.It shwcased the uniqueness f ancient architecture in Taiyuan.
      42.Why des the authr write this passage?
      A.T remind us t travel mre.
      B.T reveal the ecnmic benefits f filming.
      C.T intrduce sme famus mvies and TV dramas.
      D.T tell us the impact f films and TV dramas n turism.
      (C)
      Mtrcyclists seeking t slidify their reputatin as risk-takers culd d wrse than (不妨做某事) bk a
      sessin n a Wall f Death. These are small circular veldrmes (圆形赛车场) where the track almst stands at an
      angle f 90° t Earth’s surface. What drives these brave suls up the wall is their speed. At arund 50 kph, the
      frces acting n them are strng enugh t cunterbalance gravity’s pull, and keep them pushed utward.
      Nw a grup f scientists have tracked dwn ne mre need fr such equipment. In a paper in Ryal Sciety
      Open Science, they prpse that astrnauts living n NASA’s planned lunar base culd run n the track t prevent
      their bdies frm wasting away (变得消瘦、 衰弱) under the Mn’s reduced gravitatinal pull.
      In lw-gravity envirnments, muscle decreases in strength, bne becmes easily brken and fitness and mtr
      abilities decline. Even exercise, made less effective by weightlessness, struggles t cunteract such effects. Albert
      Minetti frm the University f Milan wndered if running in a Wall f Death might prvide a wrkut capable f
      limiting the bdy’s decline. T test it he rented a 10-metre-wide Wall f Death and called in tw brave vlunteers.
      His team tied the vlunteers, a man and a wman, t rpes hanging frm a crane (起重机) abve the track.
      The rpes relieved the vlunteers f five-sixths f their bdy weight, in effect mirrring the Mn’s gravity. After
      sme practice runds, the vlunteers culd run parallel t (与……平行) the grund at speeds averaging arund 20
      kph, withut assistance.
      7 / 10
      Dr Minetti says such mtin can generate a frce n the bdy similar t the effect f gravity n Earth.
      Accrding t his calculatins, running this way may be enugh t battle the negative effects f lunar life. NASA
      may nt even need t find extra rm: he suggests that if the lunar shelters fr the Artemis Base Camp were built in
      a circular design, astrnauts culd simply g fr a jg arund the inside walls. In principle it is “nt a cmpletely
      crazy idea,” says Kevin Fng, a dctr and specialist in space medicine at University Cllege Lndn. But, he adds,
      the limited medical care available in space means he wuld be nervus abut astrnauts running at speed.
      43.Why is a Wall f Death mentined in paragraph 1?
      A.T highlight its great frces. B.T stress its tugh challenge.
      C.T imply its anther gd use. D.T shw its glbal ppularity.
      44.What was the purpse f Dr Minetti’s experiment?
      A.T explre exercises fr astrnauts in space. B.T find appraches t cycling in a Wall f Death.
      C.T assess the benefits f wrkuts n the Mn. D.T measure the impact f gravity n human health.
      45.What is paragraph 4 mainly abut?
      A.The methd used t create lunar gravity.B.The prcess fr selecting brave vlunteers.
      C.The speed required fr the bdy’s mvement. D.The cperatin needed in lw-gravity cnditins.
      46.What is Fng’s attitude twards Dr Minett’s suggestin?
      A.He is ptimistic abut it. B.He des nt care abut it.
      C.He is strngly ppsed t it. D.He des nt fully supprt it.
      Sectin C
      Directins: Cmplete the fllwing passage by using the sentences in the bx Each sentence can nly be used
      nce. Nte that there are tw sentences mre than yu need.
      Success is smething that all f us wish t attain. Its relative elusiveness is what makes it special. It’s
      exclusive t a handful f peple wh did extrardinary things in their lives t get them t where they are tday.
      Mst successful peple in this wrld started frm the bttm and wrked their way up in life. The nly time luck
      plays a rle is when yu are in the right place at the right time, but it’s up t yu t get yurself there and then.
      47 They knw the basic science f life: yur input will equal yur utput. They dn’t depend n
      luck t get them anywhere; they depend n their skills and ambitin t get them t where they want.
      They have sacrificed everything t get t their psitins and will eat and sleep thinking abut wrk. It
      becmes a part f their life. They will rarely cmplain abut hw hard they are wrking because they knw that all
      8 / 10
      their hard wrk will pay ff.
      Mst peple are stubbrn. 48 They are very pen-minded and are always studying smething new,
      learning and cnstantly asking questins s that they can find ut mre infrmatin.
      They knw that knwledge is the backbne f success and they are hungry fr mre infrmatin because the
      mre they knw, the easier it makes it fr them. They apply r take advantage f what they learn in life. 49
      50 They are wrking n their persnality, leadership skills, management skills, as well as every
      ther detail f life. Successful peple dn’t tlerate flaws; they fix them.
      A.And it wasn’t because they were lucky r because it was just handed t them.
      B.The truly successful peple wrk n themselves and never quit!
      C.Successful peple understand that withut hard wrk yu get nwhere in life.
      D.D yu have what it takes?
      E.Successful peple want t learn everything abut everything!
      F.Successful peple are the cmplete ppsite.
      III.Translatin (共 15 分。第 1-3 小题,每题 2 分;第 4 题 4 分;第 5 题 5 分。)
      Directins:Translate the fllwing sentences int English, using the wrds given in the brackets
      51.务必提醒志愿者们在此次展览中肩负的重要责任。(remind) (汉译英)
      52.教师如果不了解学生的心理状态就会发现很难与其沟通。 (track) (汉译英)
      53.这座无法修补的老楼将被拆除,取而代之的是一座现代化的公园。(replace)(汉译英)
      54.我确信成功之道在于攻坚克难而非满腹牢骚。(cnvince)(汉译英)
      55.多亏读了这些励志故事,我才逐渐明白对工作和生活充满热情能让我们渡过难关。(dawn)(汉译英)
      IV.Guided Writing (共 25 分)
      56.假设你是李华,你的新西兰笔友 Charltte 所在高中即将举办有关中国的文化周,她的小组负责策划一
      9 / 10
      项主题为“探寻中国文字”的活动,写信征询你的建议。请给她回一封信,内容包括:
      1. 建议的具体活动及理由;
      2. 表达鼓励与祝愿。
      注意:
      1. 写作词数应为 80 个左右;
      2. 请按如下格式在答题纸的相应位置作答。
      Dear Charltte,
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      ____________________________________________________________________________________________
      Yurs.
      Li Hua
      10 / 10

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