河南省通义四省名校联盟联考2024-2025学年高三上学期第一次联考暨教学质量检测英语试题

这是一份河南省通义四省名校联盟联考2024-2025学年高三上学期第一次联考暨教学质量检测英语试题，共12页。试卷主要包含了未知等内容，欢迎下载使用。

一、未知
Arcaea Sng Cntest 4th Mvement
 Intrductin
Experience Arcaea -a new dimensin rhythm game- in a frgtten wrld named Arcaea alike filled with memries...
 Rules
The wrld f Arcaea has changed. Once shaped slely by memry, jy, and heartache, this place is nw shaped frever mre by hands reaching in frm unknwn places with inscrutable aims. What has this wrld, dyed in clrs f distant realms, nw becme?
The gal f this cntest is t cmpse an riginal sng that illustrates what yu see f Arcaea: inside and ut f it, changed nw by maelstrms f a whimsical and pervasive pwer. Yur cmpsitin shuld embdy the ideas f a wrld being shifted under the influence f anther.
-Only riginal length-limited sngs that have nt been previusly released are accepted. N remixes are allwed.
-Sngs created using generative AI are prhibited. If Al-pwered text-t-speech sftware r synthesizers are used, the specific sftware r library used must be disclsed under additinal infrmatin.
-Cmpsers are limited t submitting ne sl sng that they cmpsed by themselves.
-Cmpsers and perfrmers (including vcalists) may cllabrate with ne r mre additin t submit additinal sngs. There is n limit n submissin cunt as lng as cmbinatin f cmpsers/perfrmers nly submits 1 sng.
 Submissin
All submissins will be handled via a web frm available at:
Upn submissin, yu will receive a cnfirmatin within 72 hurs. If yu d nt receive this email, please ntify cntact@lwir.cm.
Updates t submissin materials and infrmatin after the initial submissin will nt be accepted. Please ensure that yur materials are final and have n errrs befre submissin.
 Terms
*T enter the cntest, yu must either: Be 18 r lder at the time the cntest clses (23 July 2024), r be able t have a parent r guardian enter a cntract with lwir limited.
*Yu must hld full and master recrding rights ver any submitted sng.
*lwir reserves the rights t amend the rules r cnditins f this cntest at any time.
1．What is the predminant target f the 4th mvement sngs?
A．Revealing a pwer t change the current Arcaea wrld with mysterius aims.
B．Shwing an experience in the frgtten shifting Arcaea wrld.
C．Drawing a chas f catastrphic Arcaea wrld frm yur wn perspective.
D．Illustrating the clrs f realms in the changeable Arcaea wrld.
2．What shuld Alph, amng the cntestants engaged, treat fllwing ntices attentively?
A．A single cmpser’s sng is cnstrained except cllabratin.
B．There is n restrictin n the length f submissin cunted as cmbinatin.
C．It is prbable t disclse an artificial-intelligence-pwered generative sftware.
D．A message will be sent t the submitter, whse subsequent updates will be banned.
3．We can infer that lwir is likely t .
A．recruit satisfactry sngs t hld a grand music exhibitin.
B．amend and plish cntestants’ end prducts.
C．put up a temprary label fr participants t cmmunicate.
D．be a cmpany that runs an applicatin abut rhythm.
Traveling t Tky is interesting. Yu can find a slew f Vide Arcades and there yu can find a war fr flr space amng fighting games, the newly established virtual card games, and my devtin, music games, fighting fr audible space f each flr.
And then I came acrss this machine, Chunithm.
I didn’t think much f it at first. There were a new breed f music games t try that aren’t really seen in the whle US, s I wanted t get my hands n them at least nce.
The gameplay and chart(谱面) lked simple enugh. Ntes cme dwn the track, and yu smash the crrespnding keys t the rhythm. The innvatin was the “air slider”, which definitely made the game stand ut frm the generic buttn-mashers that yu typically find in the rhythm-game genre.
There was smething ff with my thinking thugh. These machines fund in every arcade in Tky was always crwded with a wait, 3-4 peple always in line t get their hands n the machine. I had t keep playing, t find ut what they must’ve fund addicting abut the game. Every SEGA music game has a similar track list, a glrified jukebx can be anything but , culdn’t it?
It was then that I realized that sme peple weren’t playing t Expert mde… Their game said Master Mde. I had a new gal in hit. After a few mre games, I had unlcked a sng with Master Mde, which required an S rank n that sng. It was disheartening that it wasn’t just ne S-rank sng t unlck entire Master Mde sngs, but I guess I can see the ratinale behind it. And it was nly at this pint when I embarked n having fun with the Chunithm.
Yu culd say that I eventually fund my hme between Skill and Difficulty, but I still cnsider it’s mre than that. What I fund was that playing all ther mdes befre Master Mde was just a means t prepare the player fr Master Mde. It’s nt all games that truly pen up at its hardest difficulties, but fr music games in particular it requires a strng synergy between sight and sunds and fluency with yur instrument. A cre reasn why music games will be my mistress(情妇) and I’ll always be hunting fr the next mdel t trial, regardless f what new appealing games get released is unveiled.
Chunithm is a rare game that takes a while t becme fun, but quickly becmes an addictin when that fun arrives. Enugh s that I kept playing up until my last mments in Tky.
4．Which is the best explanatin t the sentence “fighting fr audible space f each flr”?
A．Arcade games were received widespread acclaim in Tky.
B．There were filled with energy and enthusiasm in the arcade.
C．Players smashed the keys nsily t express their favurite.
D．The sunds f music games were cmparatively luder than thers.
5．What can nt be inferred frm Chunithm?
A．The creative air slider is its representative distinctive feature.
B．Chunithm is favred with peple queuing up t enjy its gameplay.
C．There is a relatively jump in difficulty in the Master Mde in Chunithm.
D．Regarding the writer, jukebx Chunithm is challenging but addictive.
6．The authr cnsiders music games as his mistress because .
A．there was an unmentined affair between the music-games mistress and the authr.
B．his adratin f cperative actin cnsistently attract his enthusiasm.
C．he fell in lve with Chunithm after he discvered the principle behind its gameplay.
D．it is the presumable cause f his hunting fr the music-games mdel t play.
7．The paragraph is mainly excerpted frm .
A．a fictitius autbigraphical nvel
B．an pen-ended American scial blg
C．a special clumn n SEGA’s fficial website
D．an intrductin t arcade music games in the brchure
Despite basts that Gne With the Wind by Margaret Mitchell is “the greatest rmance f ur time,” this apprximately 1,000-page bk is nt just a rmance. Its intense fcus n a ruthless herine neatly underscres what this brick f a bk is instead: an explratin f transfrmatin, lss, and the deep unfairness f life.
There’s little happiness in Gne With the Wind. Neither herine Scarlett nr Rhet are likable peple; their relatinship is an unhealthy ne, with Rhet abusing Scarlett after they marry. It’s the Civil War that hards the sptlight. This war backdrp, as is true f all war backdrps, lends the stry an imprtant gravitas and drama; hwever, this same backdrp infuses Gne With the Wind with an undercurrent f hpelessness, and an all-encmpassing hpelessness it is.
T say that everything hinges n the war backdrp wuldn’t be exaggerating; the war affects each character prfundly, prviding the meaning behind their mst significant actins. It’s the narrative’s very life frce. Margaret Mitchell put a human face n this war that’s remarkable, and her gruesme (but nt gratuitusly s) descriptins strike all the right emtinal chrds at just the right intensity.
Besides, she impressively juxtapsed the war’s atrcities with Scarlett’s superficial frets; this yung wman shamelessly laments her lack f stylish dresses while just a few miles away men lie bleeding t death in cramped hspitals withut benefit f painkillers. Scarlett mst certainly is a fearless wman with a strng independent streak, but she’s easy t despise(鄙视). She’s nt s unlikable thugh.
Eventually, it’s wrth mentining that Gne With the Wind’s Suthern sensibility is very strng. The Suth here is a living character all its wn, and this vividness lends even deeper resnance t the stry while breathing life int its large cast f characters. It is knwing that sme have taken–and d take–issue with the Gergia f this era, when slavery and sexism were very much a reality; hwever, it’s always clear that Mitchell’s gal was nly authenticity and accuracy in prtrayal, and she wasn’t expressing persnal sentiments. Her Pulitzer Prize is well deserved.
8．What can we infer frm the bk Gne With the Wind?
A．The cnflict f the civilizatin serves as the backgrund.
B．The gruesme narrative strike an intense sensatin.
C．Characters were influenced frm the pstwar syndrme.
D．There was n authr’s sensibility t suth expressed.
9．Which f the fllwing wrds cannt describe Scarlett?
A．cruelB．tragicC．big-headedD．rmantic
10．Why is the Scarlett’s frets mentined in the Paragraph 4?
A．T exemplify the backdrp is nt exaggerating.
B．T prvide reasns fr the dubt f Scarlett’s character.
C．T demnstrate the unjust treat f sciety t Scarlett.
D．T shwcase sympathy and lament t Scarlett.
11．Which is the best title?
A．What I Fund in Rereading Gne With the Wind
B．The Impact f Pulitzer Prize n Gne With the Wind
C．What Is the War Lessn frm Gne With the Wind
D．The Reasn Mitchell’s Pulitzer Prize Is Deserved
Gregariusness requires prximity, and this can be bad in case there is a risk such as a deadly virus that spreads thrugh the air. Als, gregarius state f affairs invlve privacy. I argued that gregariusness des nt preclude the emergence f strnger frms f sciability. Hwever, there are sme gregarius places that invlve t much privacy, which makes it difficult fr peple t apprach ne anther, taking the library fr instance. The sciability present in gregariusness might nt be sufficient fr a persn nt t feel lnely. It is all t cmmn t hear peple cmplaining that, in big cities, there are n meaningful interactins. Mark Twain, way back in 1867, said that New Yrk ‘is a splendid desert – a dmed slitude, where the stranger is lnely in the midst f a millin f his race’. Humans need mre than just nt being alne. We need t make meaningful cnnectins, frm intimacy and be part f well-established grups. Hwever, the negative experience f the lckdwn supprts the idea that the s-called ‘meaningless sciability’ s cmmn in big cities is actually quite imprtant. Humans are cmplex and delicate creatures. We need a whle array f different frms f sciability, as well as being alne smetimes.
Befre the pandemics, I d nt remember lking frward t taking a bus. It was smething I had t d, and I wuld always avid sitting nearby ther peple. Even thugh I d nt miss getting a bus every day, there is smething I miss. The almst cmplete absence f sharing space with thers reveals that sharing space is mre than nrmative relatins. There is a quality t it. It is this quality that makes me chse t drink cffee in a café and nt at hme.
Mst theries in scial ntlgy(社会本体论), especially n jint actin, have fcused n the ratinality f crdinating r n nrmativity(规范性). They apprach sciability in a rather cld way. They verlk the warmth f the scial wrld. We share ur presence with thers nt nly because we have t. We als desire t. These theries fcus n hw humans have the cgnitive tls t engage in scial interactins, but they seem t frget the mst basic: we d nt want t be alne. This is true fr many animals, nt just humans. Like penguins and elephants, humans are gregarius creatures. It is at the fundatinal level f the scial wrld. It is the grund upn which the scial nrms and cnventins can build their castles.
12．What des the authr imply abut gregariusness?
A．It desn't guarantee that peple wn't feel lnely.
B．It necessarily requires cmplete privacy.
C．It always leads t strnger frms f sciability.
D．It nly exists in places like libraries.
13．Why des the authr mentin Mark Twain's descriptin f New Yrk?
A．T emphasize the lneliness in crwded places.
B．T shw the prsperity f big cities.
C．T prve that New Yrk is a city that makes peple lnely.
D．T intrduce an interesting qute abut lneliness.
14．Accrding t the text, what d mst theries in scial ntlgy take fr granted？
A．The basic desire f humans nt t be alne.
B．The rle f nrmativity in jint actin.
C．The imprtance f ratinality in scial interactins.
D．The cmplexity f scial nrms and cnventins.
15．What can we infer frm the authr's attitude twards taking a bus befre the pandemics?
A．The authr didn't realize the value f sharing space.
B．The authr enjyed the privacy n the bus.
C．The authr hated taking the bus.
D．The authr preferred t be alne all the time.
Players, in Prject SEKAI a wrld where reality and digital fantasy intertwine, 16 .
A Symphny f Taps: Engaging Rhythm Mechanics
Prject Sekai transfrms familiar rhythm gameplay int an enthralling experience where precisin and timing bring music t life. Adjustable difficulty settings ensure that bth newcmers and seasned players find their rhythm, challenging them t perfect perfrmances and ascend the leaderbards.
Interwven Stries and Evlving Characters
At the heart f Prject Sekai lies its rich narrative depth, where characters—frm virtual idls t vibrant human prtagnists— 17 . Thrugh fully viced dialgues and interactive stries, players explre persnal grwth and friendships that evlve with each nte sung.
Explring the Dual Dimensins f Hatsune Miku: Clrful Stage
In the heart f Shibuya, Tky, the game unflds, presenting a unique scenari where belved virtual idls like Hatsune Miku exist nly within the cnfines f fictin. Yet, these characters discver a gateway t “SEKAI”,a mysterius alternate reality that frms in respnse t human emtins. 18 This game sets players n a cmpelling quest alngside these virtual singers t navigate their cmplex wrlds and unravel the truths hidden in their “true feelings.”
Besides, the game pivts arund a silent, meldy-less sng called “Untitled,” that mysteriusly appears n varius persnal devices. 19 , transfrming as players delve deeper int understanding and expressing their emtin. As they interact with the sng, it gradually develps a meldy, lyrics, and finally a name, mirrring the player's emtinal jurney. 20 ,challenging players t find balance and harmny between tw wrlds.
A．bring their wn dreams and dilemmas
B．display a variety f emtins stirred frm themselves
C．It acts as a key t SEKAI
D．immerse themselves in it with the rhythmic sptlight surrunded
E．Each SEKAI manifests differently, reflecting the diverse emtinal landscapes f thse wh access it
F．embark n their captivating musical adventure
G．It allws fr a fluid mvement between the tangible reality f Tky and the ethereal realms f SEKAI
Lady Feng with hurried steps t the centre f the rm. “If we are t play at frfeits(行酒令),” she prpsed, “we’d better invite sister Yuan Yang t cme and jin us.”
The whle was perfectly aware that if dwager(老年贵妇) Chia had t the rule f frfeits, Yuan Yang wuld necessarily have t suggest it, s the mment they heard the they, with agreement, apprved it as excellent. Lady Feng therefre dragged Yuan Yang ver.
“As yu’re t take a part in the game,” Madame Wang bserved, “there’s n why yu shuld stand up.” And turning her rund, “Bring ver,” she bade a yung waiting-maid, “a chair here.”
Yuan Yang, half and half assenting, expressed her thanks, and tk the seat. After drinking als f a cup f wine, “Drinking rules,” she smiled, “resemble very much martial law; irrespective f high r lw, I alne will preside. Any ne wh disbeys my wrds will have t suffer a punishment.”
Hearing that, ld gdy Liu left the table, waving her hand: “Dn’t,” she said, “ peple in this way, fr I’ll g hme.”
“This will never d!” One and all prtested.
Old gdy Liu kept n crying, “ me!”
“Any ne wh says ne wrd mre,” Yuan Yang exclaimed, “will be fined a whle decanter(雕花玻璃酒瓶) full.”
Old gdy Liu then bserved silence.
“I’ll nw give ut the set f dmines(牙牌;骨牌副).” Yuan Yang . “I’ll begin frm ur venerable dwager and fllw dwn in prper rder. S as t illustrate what I meant, I’ll take these three dmines and place them apart; yu have t begin by saying smething n the first, next, t allude(顺便提及) t the secnd, and, after finishing with all three, t take the f the whle set and match it with a line.”
“This rule is ; begin at nce!” they all exclaimed.
21．A．chargedB．advancedC．fliedD．marched
22．A．smilinglyB．nervuslyC．pleasinglyD．unwillingly
23．A．familyB．crwdC．memberD．cmpany
24．A．lay utB．cme utC．give utD．take ut
25．A．suggestinB．ruleC．prpsalD．infrm
26．A．reasnB．causeC．excuseD．explanatin
27．A．pitchB．headC．eyesD．lips
28．A．prtestingB．resistingC．refusingD．revlting
29．A．becauseB．butC．thughD．s
30．A．make fun fB．make use fC．take advantage fD．take charge f
31．A．standB．spareC．aidD．pardn
32．A．at leastB．at heartC．at lengthD．at times
33．A．pausedB．repeatedC．stressedD．prceeded
34．A．placeB．nameC．illustratinD．number
35．A．astnishingB．difficultC．splendidD．passable
阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。
American literature, the bdy f written wrks 36 (prduce) in the English language in the United States.
Like ther natinal literatures, American literature was shaped by the histry f the cuntry that prduced it. Fr almst a century and 37 half, America was merely a grup f clnies scattered alng the eastern seabard f the Nrth American cntinent—clnies frm 38 a few hardy suls tentatively ventured westward. After a successful rebellin against the mtherland, America became the United States, a natin. By the end f the 19th century this natin extended suthward t the Gulf f Mexic, nrthward t the 39 (frty-nine) parallel, and westward t the Pacific. By the end f the 19th century, t, it 40 (take) its place amng the pwers f the wrld—its frtunes s interrelated with thse f ther natins that inevitably it became invlved in tw wrld wars and, 41 (fllw) these cnflicts, 42 the prblems f Eurpe and East Asia.
This article traces the histry f American petry, drama, fictin, and scial and 43 (liter) criticism frm the early 17th century thrugh the turn f the 21st century. Fr a descriptin f the ral and written literatures f the indigenus peples f the Americas, 44 (see) Native American literature. Thugh the cntributins f African Americans t American literature 45 (discuss) in this article.
46．假如你是学校英语社的社长李华，英语社将从“国际文化交流周”、“古代服饰游行会”和“中华隋唐非物质文化遗产体验节”三个活动中选择一个活动在寒假期间举办。请你代表你们社团选择一个节日。内容包括：
1. 你选择的理由；
2. 对该活动的简单介绍或流程设计。
注意：
1. 写作词数应为80个左右；
2. 请按如下格式在答题卡的相应位置作答：
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47．阅读下面材料, 根据其内容和所给段落开头语续写两段, 使之构成一篇完整的短文。
Rain...
In all my years in this place, I had never seen rain, and nw rain and snw and thunder and lightning all had been seen by us n the hrizns every s ften. And nw it was there.
I std.
"Vita..." I began,"we will be ging, and when yu fllw: yu will fllw and hide behind."
"'Ging' Where?"
"T Lethe," I said, "t meet her."
“ Why?” She shuted at my back, fllwed me all the way dwn, and trtted ut behind me as I went int the rain. She prtested, prtested, but I kept n.
……
I have taken much f my wn shattered cre t Lethe's place. I glance behind myself and, unable t see Vita, I turn back t Lethe and cntinue ur cnversatin. It ges, and ends, as terribly as ne can imagine. I swear t her I will take her memries, and she swears t me she will mend the chatic wrld's shattered cre.
It begins t rain again.
I travel frm shard t shard with a little trick f the flwer at my eye. I turn arund her. Until I n lnger can, I am trying . Blade clashes against glass. Water sprays between us. I dance a vilent dance alngside hers, vicius. Lethe swings, aiming t kill me. I cut acrss her face with glwing glass.
This is n clash f great pwers. This is n immense and weighty battle in this struggle between myself and Lethe. We are nly tw misguided girls believing in a better ending fr us, but it is nt t be.We are nthing. But I still want t try.
As Lethe pulls back, and with surreal strength drags her scythe tward me again—
As I cast glass upward and dwnward t stp the blade and pierce her chest—
注意：
1. 续写词数应为 150 左右；
2. 请按如下格式在答题卡的相应位置作答。
Paragraph 1:
Our battle is ended by a finger falling between us.
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Paragraph 2:
"If yu play s rughly, yu might hurt smething precius in yur prcess."She lks at us again.
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